The remembered houses of my ancestress appear in my work through the objects themselves as I imagine that their pasts rest within each one. My own memories belong to the objects and in the materials I repeatedly return to. They become vessels for what cannot be returned to. The imagined houses appear differently. As a believer in symbolism and in ritual, thought the process of talking and thinking with these objects, I enter a state of mind in which time thickens. It is within this density of time that I return to my ancestresses’ houses—not as physical structures, but as lived, internal spaces. I often think of the childhood home as a form of inner architecture: a space we will always carry with us throughout life. What unites the objects in my work is their ability to hold what has been lost. I want to be carried back to the places where my memories have their roots. To inhabit my ancestresses’ houses is more than an act of remembrance; it is a way of living within vanished homes, as I once dreamed them. i AM DRAWN TO object poetry, phenomenology and emotionology working across the mediums sculpture and photography with aN EXPRESSION THAT focUSes on glass. i have completed an bachelor degree in Fine Arts at Konstfack, University of Arts, Crafts and Design in the spring of 2020, i have been exhibited in berlin, boda, detroit, Reykjavík, Paris, perth and stockholm.
upcoming exhibitions
bergdala konstgalleri, 2026
previous exhibitions